I don’t believe I’ve made any secret that I’m a giant Batman fan above all else, nor have I hidden my disdain for Batman v Superman or Man of Steel and their treatment of the two marquee characters of the DC Universe. With the tepid box office numbers for Justice League endangering the continued existence of the DCEU (outside of future solo Wonder Woman films, the upcoming Aquaman solo movie that has already been filmed, and whatever becomes of Batman under Matt Reeves) you might expect me to join in those crowing over the demise of this version of Batman as played by Ben Affleck (who is most definitely exiting the franchise even with The Batman on the way). This would be an incorrect assumption, however. Besides the fact that I think Affleck, at least in BvS, gave a good performance with what he had to work with, there was as an interesting idea at the core of this take on Batman that distinguished him from other versions of the character and should really have been given a chance to work. If the DCEU is over I’ll be most upset that Henry Cavill never got the chance to play a true Superman for an entire movie where he didn’t take second billing to Batman, but the chance to do something new and interesting with Batman is a major failure as well.
I can’t pretend I was excited
when the news that Batman was going to be in the Man of Steel sequel was announced. I had more hoped that WB would
respond to the mediocre critical response to Man of Steel by replacing Zack Snyder for a sequel that would
feature a more traditional Superman battling one of his own signature villains,
and the news that they were hijacking the Superman franchise to fast-track a
cinematic universe was disappointing and the situation they’ve found themselves
in today was the predictable result. I did, however, find the initial pitch for
the new Batman somewhat interesting. An older, world-weary Batman inspired by The Dark Knight Returns hadn’t ever been
attempted, and while I feared the combination of Frank Miller and Zack Snyder’s
penchant for cynical and hyper-violent interpretations, this version of Batman
really did ask some interesting questions. How would a Batman who has spent 20
years on the ground in Gotham feel if the age of superheroes began and
immediately made him feel obsolete? What would the same Batman do if he’d waged
his war for 20 years only to see Gotham fail to change, lose a Robin, and
otherwise suffer loss after loss until he doubted his own mission and purpose?
If you pitched me the idea of a
Batman who has lost his way, who initially sees Superman as a threat to
humanity and then has his faith restored by the beacon of hope that is Superman
when he sees him up close, I’d be all for that, actually. As the Dark Nights: Metal event has been going
on in DC comics I’ve been reading each of the one-shot origin stories for the “evil
Batmen,” and one of my favorites so far has been Batman: The Devastator, where Batman turns himself into Doomsday to
stop an out of control Superman. The central premise of that “what if” is that
the only person on Earth that even cynical, hard-hearted, always-prepare-for-the-worst
Batman trusts implicitly and believes in is Clark, and when he loses that it
shatters him. Batman v Superman could
have shown us how that trust is established and given us a Batman who lost his
faith and only found it again when shown the overwhelming goodness of Superman.
As it played out, however, we don’t
really get a believable conversion. The problem with Snyder doing a
deconstructed, more “complex” take on Superman is that by the time he meets
Batman in BvS, he’s not yet established
as a beacon of hope in the eyes of the public, and he hasn’t even decided
himself that he’s really all that committed to being one. A Superman without an
abiding faith in what is good and right isn’t going to be able to convince a
Batman who has pretty good reasons to think he’s actually a threat to mankind. I
know the company line after BvS was
to pretend that it was Superman’s sacrifice to stop Doomsday that truly
renewed Bruce’s faith, but that’s just so people don’t have to pretend the real
turn in the movie is the rightly-mocked Martha scene. The entire concept of a
fallen Batman redeemed by the presence of Superman required that the two be
contrasting figures, and the movie instead presented two largely amoral figures
mired in grey, and the resolution of that dispute is forced and hollow.
Despite all of the misfires in BvS, however, Justice League has its own interesting, novel take on Batman. Many
Justice League stories tend to overstate just how smart, prepared, and
otherwise awesome Batman is in order to justify his presence among gods and
aliens in a league of superheroes. I went into Justice League expecting the kind of omniscient Bat-god we’ve seen
from time to time in team-up projects and was pleasantly surprised to find that
Batman’s arc in the story was mostly about recognizing his own limitations and
seeking help. Unlike the grizzled Batman from The Dark Knight Returns who
regarded his fellow superheroes as traitors and weaklings who gave up on
the war, or even the Batman form the Timmverse who is shown to be a disgruntled
loner in old age in Batman Beyond,
this Batman actually made the correct and mature choice to seek help from
others once he could no longer fight it out by himself. It’s refreshing, and it
almost works!
Unfortunately Justice League’s Batman is betrayed by a
few things, for which Zack Snyder, Joss Whedon, and Ben Affleck must all be
blamed. Batman’s conversion from “we must kill Superman because he is a threat”
to “we must literally resurrect Superman despite not at all understanding what
might come back”, much like his change at the end of BvS, is still a bit unconvincing for a man who had none of his actual
complaints about Superman and his limitless powers addressed. He’s overly
quippy (thanks Joss), and while a few of his interactions with Superman
especially struck me as things a lighter-hearted Bruce might actually say, his
quips to no one in particular in response to things other characters have said
did not feel very Batman-like. Lastly, Ben Affleck’s performance in the scenes
that were re-shot (and in this movie you can very easily tell which are which)
are pretty unenthusiastic. The rumors that started in the summer that he was
going to leave the role after the movie make a lot of sense when you see how
little he appears to give a damn in it, and he seems to deliver every line even
as Bruce Wayne in a gravelly mumble.
While it’s going to take a while
before the fallout from Justice League’s
box office performance to settle and we find out which DC characters will get
shelved for the immediate future, we know already that Batman will not be among
them. Matt Reeves is going to make The Batman
and whatever sequels it merits, and the rumor mill is already churning about
who will replace Affleck in the cowl. We know that before long we’ll have
another Batman to throw into the WHO IS THE GREATEST BATMAN EVAR debate (and
no, you 14 year old bastards, it isn’t Ben Affleck because hIS FiGhTS R TEH
COOLEZT). One misfire isn’t going to end the franchise. In that way, the
failure of Batfleck isn’t as disappointing as it could be, but in the end that
doesn’t completely remove the sting I feel as a Batman fan about a good
concept, and a good actor, undermined by poor execution. It should have worked
better than it did, though, if it comforts Ben Affleck at all, he’s certainly
not alone in that category when it comes to the DCEU.
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